Apart from news and views on media covering tourism, travel, and hospitality, writers, editors, photogs, and bloggers share tips, leads, ideas, news, gripes. PR reps/journos ISO press releases/trips, see also "PR/Marketing." Opinions stated are not necessarily those of Tripatini.
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Comments
I recommend travel writing to everyone. Of course what they really mean is how to I get published? And paid. Well, tell them to forget that. Instead, take advantage of what travel teaches us about our world and ourselves. And write it, in the spirit of those who traveled before us. You might start with Homer. Don't forget a few of my favorites, Steinbeck, Twain and Stevenson.
So I get on the plane, and the train, and I try to tell the story, usually to those who've never been. Sometimes it works, sometimes it doesn't, but It beats a thousand occupations hands-down. Unless you're my child, in which case, "Get a real job."
I had a conversation tonight at a party with fellow travel writers and editors, and an epiphany ensued. To wit:
The label of "travel writer" has been cheapened over time -- and not by us. In truth, a real travel writer is a generalist, showcasing everything from culture, food, politics, geographical characteristics that both divide and unite us, and personal essays/observations.
I submit that perhaps we are the last great generalist journalists left, who have the perspective of travel and experience to, responsibly and accurately, speak to readers what travel really is: Life as it is now lived.
I think that sometimes we sell ourselves short. We are not "go here/pay that" elves. We have power and the trust of those who read us to be ourselves and, therefore, we should respect what we do more.
After all, wasn't Charles Dickens a travel writer? Balzac? And other fiction and non-fiction greats: we illuminate the world we live in, whether we write about our home town or places most people will never visit in their lifetimes.
Sigh. Discuss?
The new technology isn't about cheapening the story, it's about new ways of expanding, compacting, and remixing the narrative.