When I first witnessed a performance of Peking opera (the best-known form of Chinese opera, with Peking by the way being the traditional English spelling of Beijing) years ago in Beijing’s ornate, early-19th-century Huguang Guild Hall, I admit I was mesmerized by the gestalt of this elaborate art form. Unlike Western opera, it’s even more stylized, with exaggerated gestures, vocalisations, and heavily symbolic costume and makeup (and in some cases obviously extremely fakey beards
