Apart from news and views on media covering tourism, travel, and hospitality, writers, editors, photogs, and bloggers share tips, leads, ideas, news, gripes. PR reps/journos ISO press releases/trips, see also "PR/Marketing." Opinions stated are not necessarily those of Tripatini.
Free access to Encyclopaedia Britannica for journalists
My editor at Encyclopaedia Britannica has asked me to extend this offer to all my journalist colleagues. You are invited to enjoy free access to all its factchecked resources, and if you do link to a Britannica story in your articles, none of the content linked to will be paywalled. Your readers in turn will have full and free access to Britannica's content. To get your free, personal subscription, just go to britannica.com/journalists and enter the code: EXPERT-CONTENT.
Read more…
Comments
I attended a social media seminar for wine journalists where even the most successful wine bloggers said, "it's the quality of your tweets--not the frequency." Who you follow also matters--again, not the number, but the quality of who you follow. (They also said "don't give up your day job to be a blogger.")
1) To follow what other travel writers are saying, doing, and reading.
2) To promote my blog (all posts automatically get "tweeted" on Twitter and posted on Facebook via Twitterfeed).
3) To promote good work by other writers.
4) To pass along news stories that I think will appeal to my "Followers" on Twitter (although I now do this less often and post more of these stories to the "Travel News Update" section of my blog).
- @chris2x
Max says Tweeting is tool for many to make a living. I don't tweet (haven't got the time) and I don't follow people tweeting. So I'm curious how it helps on the income side? I've never figured this out. The people I deal with are busy, and I don't see how income is generated from tweetng. I know a number of people who do tweet (they're on the PR or destination management or sales side) but interestingly while they send tweets, they don't receive any or follow anyone who does. So it seems one-sided to me. People tweet, but who's reading them? Why? And how does it profit the tweeter (in this case a writer)?