All eyes this month have of course been on Rio's handling of the Summer Olympics. But this town's used to handling big events, and there's also nothing quite like the massiveCarnavalinRio de Janeiro– the over-the-top extravagance; hundreds of thousands of raucous Brazilians thronging the streets and the Sambodrome; and of course the joyously deafeningsamba musicand dancing that helps give shape to it all. Not all of us can be so fortunate to be flying down to Rio that week in February (in 2017, Feb. 24-28) – or willing to brave the mob scenes and jacked up prices that go along with it.
But guess what? Anyone can get a terrific taste of the experience by attending the loud, high-energyensaios(rehearsals) being held right now - weekly, usually from early summer at the headquarters of the 26samba schools, the neighborhood-based associations/social clubs which since the 1920s have been the heart and soul of this massive annual blowout’s signature samba parade. Which you choose depends on various factors –MangueiraandPortelaare the most historic, founded in the 1920s, while São Clementeis one of the most convenient for most visitors, located inCentro(downtown Rio); and others have different characteristics that you might find particularly attractive (get more detailed descriptionshere); others tend to be located in somewhat dicier districts.
On a recent return to Rio, I decided to join some local friends on a Saturday night at the second of thesamba school rehearsalsI’ve attended, and it turned out to be a highlight of my visit. The school wasSalgueiro, founded in 1953 and currently enjoying a rep as one of the most “glamorous” and celebrity-popular samba schools, as well as one that tends to most celebrate Brazil’sAfrican heritage. It’s located in the fairly secureTijuca neighborhood, but a bit of a cab ride from where most of the hotels are inCopacabana,Ipanema, andLeblon(from mine, Leblon’s Sheraton Grand Rio, 30 minutes/60 reais).
Heading through the gigantic, far from subtle façade emblazoned in the school’s colors, red and white, we paid a 30-real admission fee (about US$10/£7.40/8.60 euros), then emerged into an enormous rectangular hall with a soaring, red-and-white-checkerboard ceiling and already crowded with folks standing in front of a stage, tables on either side of them, and ringed by various vendors of beer and booze, as well as some snacks.
Almost everyone was movin’, groovin’ and sometimes croonin’ along to a group of insanely energetic young guys on stage, drumming and belting out a repertoire of current pop songs. Then around 1 am, the main event: presenting some of what Salgueiro would be parading in the Sambodrome in February, including baianas(lithe young women in skimpy costumes), as well as pimps and other characters from the school’s theme for the year, A Ópera dos Malandros, a popular musical by one of the giants ofBrazilian music,Chico Buarque, and inspired by theThreepenny Opera(rememberMack the Knife?”).
From a platform up above behind us, it was then the turn of theBateria Furiosa(“Furious Battery”), a rhythm section that under the direction ofMestre (Master) Marcãoshook, rattled and hummed skillfully and – OMG yes, furiously indeed. Finally, another group of performers took the stage to roll out the night’spièce de résistance: Salgueiro’s official samba song of the year (which the crowd could follow thanks to copies of the lyrics handed out; also check out school’s official video of the song at the bottom):
Ê, filho da sorte eu sou Vento sopra a meu favor
Gira sorte, gira mundo, malandro deixa girar
Quem dá as cartas sou eu, pode apostar!
Ah, I am a son of fortune The winds blow in my favour Fortune turns, the world turns, scoundrels make them turn I’m the one who deals the cards, so place your bets!
Below, check out the 11 main samba schools whose rehearsals/samba nights in the months leading up to Carnaval are open to the public. And do come on down and get into the samba spirit –the spectacular floats and other bells and whistles may be absent, but the skill and sheer joy are still amazing to witness and be a part of.